![]() Her dissertation, Spatialized Impressions: American Printmaking Outside the Workshop, 1935–1975, explores five alternative sites in which artists created prints: the home, the studio, the outdoor environment, the internment camp, and the science lab.įor the 2019–20 academic year, she served as a Yale-Smithsonian Graduate Research Assistant on an upcoming exhibition on race and sculpture at the Smithsonian American Art Museum. The same image can be repeated over and over again and then assembled into larger patterns Warhol fashion.Īlternatively, different images can be collaged together to produce complex billboard-size murals or room-sized installations.Īnd of course there are the artists that xerox their body parts.Michelle Donnelly studies twentieth-century American art, with particular interests in materiality and intermediality, site specificity, issues of gender, and articulations of race. Superimposition or layers of images result from copying on to already printed sheets of paper. Images can also be reworked by hand and then copied again. By copying on to special materials, image-transfers to fabric or T-shirts are possible.īy moving the original during scanning, blurs and smears can be generated. (Colour photocopiers date from the early 60’s but became generally available in the mid 1970s.) Variations of colour and texture can be achieved simply by inserting different kinds of paper into the machine. Artists can reduce or enlarge images and modulate their original colours schemes by changing the hue and tone settings on the machine. In this respect any degradation of the image during copying or recopying is an advantage not a disadvantage. The opportunities for montage, distortion and transformation are boundless. So to sum it up, it is like a chain mail but instead it is “art mail”. Alternatively they could have shrunk it down but that rarely happened as it is not as much fun and honestly how far can you go with a thumbprint? The key was no one could take up the whole page but had to add or distort what they got or go to a larger size because there had to be some “whiteness” left for the next person – you may or may not see the original rose leaf. Sent that to 10 people who then sent that to 10 people who sent that to another 10 who then sent that back to whomever sent them up and back up the tree it would go. ![]() What happened was someone Xeroxed an rose leaf. The referencing of “image glut”, “visual pollution”, and have much relevance for today when copying technology has moved from the mechanical to the digital, enabling increasingly sophisticated image manipulation techniques with their potential for trompe l'oeil-within and without the world of art. ![]() Montage, distortion, and transformation were effected through reducing, enlarging, and adjusting the hue and tone, “xerographic” effects which are achieved today through digital enhancements, alterations, and transformations. It is also called “copy art”, also called “electrographic art”, “photocopy art”, “electroworks”, and “xerography”. ![]() Well it isn’t as popular as it used to be but it was the original round robin art form that came about when the Xerox, August 1959, was born. ![]()
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